Writing Dialogue

Regardless of the genre, there comes a time when characters have to talk. For some authors this is a challenge. How do you make the characters sound different? Where do you put the actions? Does it sound real? What would this character say? How would the other respond?

Dialogue is important to a story. Making it sound realistic isn’t easy. One thing I do that helps me is trying to think like the characters. There is an easy exercise for this which I’ll go into at the end of this article.

Next, keep it simple. Don’t try to go all Shakespeare and make flowery speeches or say something relevant – unless that’s what the character is trying to do. Here again, character centered.

Make sure the dialogue advances the story. Don’t just throw in some witty repartee for the sake of having them say something cute or funny. That’s for cheesy action flicks. If the characters would use this time for that, fine. Otherwise, leave it out.

Keep the passages short. Again, we aren’t doing Shakespearian soliloquies. There are other ways to express a character’s thoughts. Use his actions or her facial expressions to express what they are thinking. A well placed raised eyebrow can be quite eloquent.

Many writers have trouble with simultaneous action and dialogue. Juggling this can get tricky. Rule of thumb, at least as far as I’m concerned, is keep relevant segments together. Don’t split the sentence unless it’s absolutely unavoidable. Put actions before or after the dialogue, but keep these passages short. Longer, more detailed action needs to be in its own paragraph. When the characters are talking, that’s the focus. They wouldn’t be talking if they didn’t have something important to say. Let the dialogue stand out on the page, dominating it.

Having a few simple guidelines can take the sting out of dialogue. To help get into the character’s head, try asking yourself the following questions:

 

• What is the character’s age?

• What is the gender? Men & women don’t think alike nor do they speak alike.

• What is his/ her occupation? Is there a level of technical language he/ she would understand or not?

• What is his/ her education level? A person who is widely read has a better vocabulary than someone who never finished school.

• Culture or ethnicity – is it important to his/ her characterization? A foreigner in a strange land will not communicate the same way as a native.

• Does he/ she speak the same language? It’s very important to have this in mind before you start. If a character has minimal French, having him speak fluently in that language wouldn’t ring true.

• Character’s health. A weak man will speak differently from a strong one.

• Urgency of the situation. A character will not stop and give a long speech about how important this mission is if he’s being attacked by rabid wildebeests. Pacing is a must in dialogue.

• Relevant to the situation. Would he actually say something that incredibly stupid when in the throes of passion? Would she have enough where with all to bellow that when under attack?

 

Finally, read the dialogue aloud. If it flows with the descriptions, you’ve done it well. If it doesn’t, look at it again and see what can be changed.

The above are my opinions and techniques for writing good dialogue. Do you have any tips for others? Do you have trouble with dialogue and would like other techniques? I am always interested in learning new ways to conquer a problem. Please post your tips and problems below.

 Dellani Oakes is the author of “Indian Summer” available from Second Wind Publishing.